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Così fan tutte was Mozart’s third and final collaboration with the librettist Lorenzo da Ponte, following Le nozze di Figaro and Don Giovanni. Like its predecessors, Così exemplifies the heights opera can reach when the skills of composer and librettist are perfectly matched. But Così’s reception has always been more complex than that of the other Mozart/Da Ponte operas, with the opera variously considered immoral, unfinished, cruel or simply odd since its 1790 premiere. Now finally accepted as one of Mozart’s masterpieces, it is celebrated as much for its nuanced depiction of love as for its glorious music – a near continuous roll-call of favourites, including the terzetto ‘Soave sia il vento’ and the arias ‘Come scoglio’, ‘Tradito, schernito’ and ‘È amore un ladroncello’.
