The WhatcomTalk Events Calendar shares things to do around Whatcom County including Bellingham, Ferndale, Lynden, Blaine and beyond. Find fun activities and adventures throughout the region on our comprehensive events calendar. Have an event that isn’t listed? Click the green “Post your Event” button and our editors will review and approve within two business days.
Elizabethan Theater lands at iDIOM with a rarely produced 7th century satire full of equal parts chivalry and whimsy in a disorderly, theatrical romp.
The Knight of the Burning Pestle, written by Francis Beaumont and adapted for the iDiOM stage by director, Glenn Hergenhahn-Zhao.
Dates: February 8th – March 2 at 7:30pm
As an acting troupe begins their scheduled performance of a show called “The London Merchant”, two audience members jump onstage and demand their apprentice be written into a new storyline. Chaos follows as the actors attempt to incorporate ever more fanciful suggestions. This rarely performed comedy written in 1607 by a friend of Shakespeare’s is a joyride of a play and a love letter to theatrical invention. Perfect for all audiences.
iDiOM’s biggest show of the season!
Performance dates:
2/08/2024
2/09/2024
2/10/2024
2/14/2024
2/15/2024
2/16/2024
2/17/2024
2/18/2024
2/22/2024
2/23/2024
2/24/2024
2/25/2024
2/29/2024
3/01/2024
3/02/2024
Elizabethan Theater lands at iDIOM with a rarely produced 7th century satire full of equal parts chivalry and whimsy in a disorderly, theatrical romp.
The Knight of the Burning Pestle, written by Francis Beaumont and adapted for the iDiOM stage by director, Glenn Hergenhahn-Zhao.
Dates: February 8th – March 2 at 7:30pm
As an acting troupe begins their scheduled performance of a show called “The London Merchant”, two audience members jump onstage and demand their apprentice be written into a new storyline. Chaos follows as the actors attempt to incorporate ever more fanciful suggestions. This rarely performed comedy written in 1607 by a friend of Shakespeare’s is a joyride of a play and a love letter to theatrical invention. Perfect for all audiences.
iDiOM’s biggest show of the season!
Performance dates:
2/08/2024
2/09/2024
2/10/2024
2/14/2024
2/15/2024
2/16/2024
2/17/2024
2/18/2024
2/22/2024
2/23/2024
2/24/2024
2/25/2024
2/29/2024
3/01/2024
3/02/2024
Four workshops in playwriting designed for new playwrights and those with previous experience. From the basic fundamentals, tools, and structure of a script to finished one-act plays, this class focuses on making playwrights capable of writing dynamic and innovative work. A unique method to iDiOM Theater, on of the most prolific creators of new work in the world. Time, Space, Language, Theatricality, Audience Dynamic, Rule-making, are the lenses we use to create worlds for the stage.
Four Saturdays: February 10th, February 17th, February 25th, and March 2
Noon – 3pm
iDiOM Director Glenn Hergenhahn-Zhao will be teaching this four week playwriting workshop. Glenn has been teaching acting and playwriting for twenty years, and is one of the most prolific playwrights in the world with nearly 500 titles to his name. He studied Meisner Acting Technique and Viewpoints with The Atlantic Theatre School in NYC and has been using these methods in the classroom and on stage at iDiOM for over a decade.
Elizabethan Theater lands at iDIOM with a rarely produced 7th century satire full of equal parts chivalry and whimsy in a disorderly, theatrical romp.
The Knight of the Burning Pestle, written by Francis Beaumont and adapted for the iDiOM stage by director, Glenn Hergenhahn-Zhao.
Dates: February 8th – March 2 at 7:30pm
As an acting troupe begins their scheduled performance of a show called “The London Merchant”, two audience members jump onstage and demand their apprentice be written into a new storyline. Chaos follows as the actors attempt to incorporate ever more fanciful suggestions. This rarely performed comedy written in 1607 by a friend of Shakespeare’s is a joyride of a play and a love letter to theatrical invention. Perfect for all audiences.
iDiOM’s biggest show of the season!
Performance dates:
2/08/2024
2/09/2024
2/10/2024
2/14/2024
2/15/2024
2/16/2024
2/17/2024
2/18/2024
2/22/2024
2/23/2024
2/24/2024
2/25/2024
2/29/2024
3/01/2024
3/02/2024
A comprehensive scene study and acting fundamentals class designed to take students through our Level One Meisner work and prepare them for ongoing study. Similar to our three-week class, students will be introduced to fundamentals of script analysis and performance techniques while the work multiple short scenes for performance. Sundays 10am – 1pm, Tuesdays 6pm – 9pm.
iDiOM Director Glenn Hergenhahn-Zhao will be teaching this 6-week acting class. Glenn has been teaching acting and playwriting for twenty years, and is one of the most prolific playwrights in the world with nearly 500 titles to his name. He studied Meisner Acting Technique and Viewpoints with The Atlantic Theatre School in NYC and has been using these methods in the classroom and on stage at iDiOM for over a decade.
Elizabethan Theater lands at iDIOM with a rarely produced 7th century satire full of equal parts chivalry and whimsy in a disorderly, theatrical romp.
The Knight of the Burning Pestle, written by Francis Beaumont and adapted for the iDiOM stage by director, Glenn Hergenhahn-Zhao.
Dates: February 8th – March 2 at 7:30pm
As an acting troupe begins their scheduled performance of a show called “The London Merchant”, two audience members jump onstage and demand their apprentice be written into a new storyline. Chaos follows as the actors attempt to incorporate ever more fanciful suggestions. This rarely performed comedy written in 1607 by a friend of Shakespeare’s is a joyride of a play and a love letter to theatrical invention. Perfect for all audiences.
iDiOM’s biggest show of the season!
Performance dates:
2/08/2024
2/09/2024
2/10/2024
2/14/2024
2/15/2024
2/16/2024
2/17/2024
2/18/2024
2/22/2024
2/23/2024
2/24/2024
2/25/2024
2/29/2024
3/01/2024
3/02/2024
Elizabethan Theater lands at iDIOM with a rarely produced 7th century satire full of equal parts chivalry and whimsy in a disorderly, theatrical romp.
The Knight of the Burning Pestle, written by Francis Beaumont and adapted for the iDiOM stage by director, Glenn Hergenhahn-Zhao.
Dates: February 8th – March 2 at 7:30pm
As an acting troupe begins their scheduled performance of a show called “The London Merchant”, two audience members jump onstage and demand their apprentice be written into a new storyline. Chaos follows as the actors attempt to incorporate ever more fanciful suggestions. This rarely performed comedy written in 1607 by a friend of Shakespeare’s is a joyride of a play and a love letter to theatrical invention. Perfect for all audiences.
iDiOM’s biggest show of the season!
Performance dates:
2/08/2024
2/09/2024
2/10/2024
2/14/2024
2/15/2024
2/16/2024
2/17/2024
2/18/2024
2/22/2024
2/23/2024
2/24/2024
2/25/2024
2/29/2024
3/01/2024
3/02/2024
Elizabethan Theater lands at iDIOM with a rarely produced 7th century satire full of equal parts chivalry and whimsy in a disorderly, theatrical romp.
The Knight of the Burning Pestle, written by Francis Beaumont and adapted for the iDiOM stage by director, Glenn Hergenhahn-Zhao.
Dates: February 8th – March 2 at 7:30pm
As an acting troupe begins their scheduled performance of a show called “The London Merchant”, two audience members jump onstage and demand their apprentice be written into a new storyline. Chaos follows as the actors attempt to incorporate ever more fanciful suggestions. This rarely performed comedy written in 1607 by a friend of Shakespeare’s is a joyride of a play and a love letter to theatrical invention. Perfect for all audiences.
iDiOM’s biggest show of the season!
Performance dates:
2/08/2024
2/09/2024
2/10/2024
2/14/2024
2/15/2024
2/16/2024
2/17/2024
2/18/2024
2/22/2024
2/23/2024
2/24/2024
2/25/2024
2/29/2024
3/01/2024
3/02/2024
Elizabethan Theater lands at iDIOM with a rarely produced 7th century satire full of equal parts chivalry and whimsy in a disorderly, theatrical romp.
The Knight of the Burning Pestle, written by Francis Beaumont and adapted for the iDiOM stage by director, Glenn Hergenhahn-Zhao.
Dates: February 8th – March 2 at 7:30pm
As an acting troupe begins their scheduled performance of a show called “The London Merchant”, two audience members jump onstage and demand their apprentice be written into a new storyline. Chaos follows as the actors attempt to incorporate ever more fanciful suggestions. This rarely performed comedy written in 1607 by a friend of Shakespeare’s is a joyride of a play and a love letter to theatrical invention. Perfect for all audiences.
iDiOM’s biggest show of the season!
Performance dates:
2/08/2024
2/09/2024
2/10/2024
2/14/2024
2/15/2024
2/16/2024
2/17/2024
2/18/2024
2/22/2024
2/23/2024
2/24/2024
2/25/2024
2/29/2024
3/01/2024
3/02/2024
A comprehensive scene study and acting fundamentals class designed to take students through our Level One Meisner work and prepare them for ongoing study. Similar to our three-week class, students will be introduced to fundamentals of script analysis and performance techniques while the work multiple short scenes for performance. Sundays 10am – 1pm, Tuesdays 6pm – 9pm.
iDiOM Director Glenn Hergenhahn-Zhao will be teaching this 6-week acting class. Glenn has been teaching acting and playwriting for twenty years, and is one of the most prolific playwrights in the world with nearly 500 titles to his name. He studied Meisner Acting Technique and Viewpoints with The Atlantic Theatre School in NYC and has been using these methods in the classroom and on stage at iDiOM for over a decade.
Four workshops in playwriting designed for new playwrights and those with previous experience. From the basic fundamentals, tools, and structure of a script to finished one-act plays, this class focuses on making playwrights capable of writing dynamic and innovative work. A unique method to iDiOM Theater, on of the most prolific creators of new work in the world. Time, Space, Language, Theatricality, Audience Dynamic, Rule-making, are the lenses we use to create worlds for the stage.
Four Saturdays: February 10th, February 17th, February 25th, and March 2
Noon – 3pm
iDiOM Director Glenn Hergenhahn-Zhao will be teaching this four week playwriting workshop. Glenn has been teaching acting and playwriting for twenty years, and is one of the most prolific playwrights in the world with nearly 500 titles to his name. He studied Meisner Acting Technique and Viewpoints with The Atlantic Theatre School in NYC and has been using these methods in the classroom and on stage at iDiOM for over a decade.
Elizabethan Theater lands at iDIOM with a rarely produced 7th century satire full of equal parts chivalry and whimsy in a disorderly, theatrical romp.
The Knight of the Burning Pestle, written by Francis Beaumont and adapted for the iDiOM stage by director, Glenn Hergenhahn-Zhao.
Dates: February 8th – March 2 at 7:30pm
As an acting troupe begins their scheduled performance of a show called “The London Merchant”, two audience members jump onstage and demand their apprentice be written into a new storyline. Chaos follows as the actors attempt to incorporate ever more fanciful suggestions. This rarely performed comedy written in 1607 by a friend of Shakespeare’s is a joyride of a play and a love letter to theatrical invention. Perfect for all audiences.
iDiOM’s biggest show of the season!
Performance dates:
2/08/2024
2/09/2024
2/10/2024
2/14/2024
2/15/2024
2/16/2024
2/17/2024
2/18/2024
2/22/2024
2/23/2024
2/24/2024
2/25/2024
2/29/2024
3/01/2024
3/02/2024
Elizabethan Theater lands at iDIOM with a rarely produced 7th century satire full of equal parts chivalry and whimsy in a disorderly, theatrical romp.
The Knight of the Burning Pestle, written by Francis Beaumont and adapted for the iDiOM stage by director, Glenn Hergenhahn-Zhao.
Dates: February 8th – March 2 at 7:30pm
As an acting troupe begins their scheduled performance of a show called “The London Merchant”, two audience members jump onstage and demand their apprentice be written into a new storyline. Chaos follows as the actors attempt to incorporate ever more fanciful suggestions. This rarely performed comedy written in 1607 by a friend of Shakespeare’s is a joyride of a play and a love letter to theatrical invention. Perfect for all audiences.
iDiOM’s biggest show of the season!
Performance dates:
2/08/2024
2/09/2024
2/10/2024
2/14/2024
2/15/2024
2/16/2024
2/17/2024
2/18/2024
2/22/2024
2/23/2024
2/24/2024
2/25/2024
2/29/2024
3/01/2024
3/02/2024
Elizabethan Theater lands at iDIOM with a rarely produced 7th century satire full of equal parts chivalry and whimsy in a disorderly, theatrical romp.
The Knight of the Burning Pestle, written by Francis Beaumont and adapted for the iDiOM stage by director, Glenn Hergenhahn-Zhao.
Dates: February 8th – March 2 at 7:30pm
As an acting troupe begins their scheduled performance of a show called “The London Merchant”, two audience members jump onstage and demand their apprentice be written into a new storyline. Chaos follows as the actors attempt to incorporate ever more fanciful suggestions. This rarely performed comedy written in 1607 by a friend of Shakespeare’s is a joyride of a play and a love letter to theatrical invention. Perfect for all audiences.
iDiOM’s biggest show of the season!
Performance dates:
2/08/2024
2/09/2024
2/10/2024
2/14/2024
2/15/2024
2/16/2024
2/17/2024
2/18/2024
2/22/2024
2/23/2024
2/24/2024
2/25/2024
2/29/2024
3/01/2024
3/02/2024
Four workshops in playwriting designed for new playwrights and those with previous experience. From the basic fundamentals, tools, and structure of a script to finished one-act plays, this class focuses on making playwrights capable of writing dynamic and innovative work. A unique method to iDiOM Theater, on of the most prolific creators of new work in the world. Time, Space, Language, Theatricality, Audience Dynamic, Rule-making, are the lenses we use to create worlds for the stage.
Four Saturdays: February 10th, February 17th, February 25th, and March 2
Noon – 3pm
iDiOM Director Glenn Hergenhahn-Zhao will be teaching this four week playwriting workshop. Glenn has been teaching acting and playwriting for twenty years, and is one of the most prolific playwrights in the world with nearly 500 titles to his name. He studied Meisner Acting Technique and Viewpoints with The Atlantic Theatre School in NYC and has been using these methods in the classroom and on stage at iDiOM for over a decade.
Elizabethan Theater lands at iDIOM with a rarely produced 7th century satire full of equal parts chivalry and whimsy in a disorderly, theatrical romp.
The Knight of the Burning Pestle, written by Francis Beaumont and adapted for the iDiOM stage by director, Glenn Hergenhahn-Zhao.
Dates: February 8th – March 2 at 7:30pm
As an acting troupe begins their scheduled performance of a show called “The London Merchant”, two audience members jump onstage and demand their apprentice be written into a new storyline. Chaos follows as the actors attempt to incorporate ever more fanciful suggestions. This rarely performed comedy written in 1607 by a friend of Shakespeare’s is a joyride of a play and a love letter to theatrical invention. Perfect for all audiences.
iDiOM’s biggest show of the season!
Performance dates:
2/08/2024
2/09/2024
2/10/2024
2/14/2024
2/15/2024
2/16/2024
2/17/2024
2/18/2024
2/22/2024
2/23/2024
2/24/2024
2/25/2024
2/29/2024
3/01/2024
3/02/2024
A comprehensive scene study and acting fundamentals class designed to take students through our Level One Meisner work and prepare them for ongoing study. Similar to our three-week class, students will be introduced to fundamentals of script analysis and performance techniques while the work multiple short scenes for performance. Sundays 10am – 1pm, Tuesdays 6pm – 9pm.
iDiOM Director Glenn Hergenhahn-Zhao will be teaching this 6-week acting class. Glenn has been teaching acting and playwriting for twenty years, and is one of the most prolific playwrights in the world with nearly 500 titles to his name. He studied Meisner Acting Technique and Viewpoints with The Atlantic Theatre School in NYC and has been using these methods in the classroom and on stage at iDiOM for over a decade.
A comprehensive scene study and acting fundamentals class designed to take students through our Level One Meisner work and prepare them for ongoing study. Similar to our three-week class, students will be introduced to fundamentals of script analysis and performance techniques while the work multiple short scenes for performance. Sundays 10am – 1pm, Tuesdays 6pm – 9pm.
iDiOM Director Glenn Hergenhahn-Zhao will be teaching this 6-week acting class. Glenn has been teaching acting and playwriting for twenty years, and is one of the most prolific playwrights in the world with nearly 500 titles to his name. He studied Meisner Acting Technique and Viewpoints with The Atlantic Theatre School in NYC and has been using these methods in the classroom and on stage at iDiOM for over a decade.
A comprehensive scene study and acting fundamentals class designed to take students through our Level One Meisner work and prepare them for ongoing study. Similar to our three-week class, students will be introduced to fundamentals of script analysis and performance techniques while the work multiple short scenes for performance. Sundays 10am – 1pm, Tuesdays 6pm – 9pm.
iDiOM Director Glenn Hergenhahn-Zhao will be teaching this 6-week acting class. Glenn has been teaching acting and playwriting for twenty years, and is one of the most prolific playwrights in the world with nearly 500 titles to his name. He studied Meisner Acting Technique and Viewpoints with The Atlantic Theatre School in NYC and has been using these methods in the classroom and on stage at iDiOM for over a decade.
Those Brazen Wenches Theatre Company presents Lysistrata by Aristophanes, adapted by Rosalind Reynolds and directed by Ashley Albertson.
Performances March 21, 22, 23, 28, 29, and 30, at 7:30pm
iDiOM Theater
1417 Cornwall, Bellingham.
Tickets $15, students $10
TICKETS: https://www.tickettailor.com/events/idiomtheater/1169002
Hailed as the first literary battle of the sexes, this rollicking farce sees the women of Greece losing patience with a seemingly endless war. They hatch a flawless plan: no sex until their husbands agree to a peace deal. But the men aren’t about to take this lying down…or are they? The enduring relevance of Aristophanes’s raunchy comedy attests to the universal human fascination with war, sex, and penis
jokes.
Two-time winner of the Serial Killers tournament of serialized theater, and former playwright-in-residence at the iDiOM Theater, Rosalind Reynolds is the author of many plays, including Godlike, Julian the Humble, and Men of Parts. A founding member of the Unsubdued Theatre Collective, Ashley Albertson has directed many shows for the local stage, including The Odyssey, Eleemosynary, and Branwen Spikes the Drink.
Lysistrata is the third offering from Those Brazen Wenches Theatre Company, which aims to smash the patriarchy in entertaining ways.
Featuring:
Kharma Stambaugh
Dawn Hunter
Selene Nelson
Natalie Fedak
Hannah Cafarella
and Elizabeth Sheinkopf
Those Brazen Wenches Theatre Company presents Lysistrata by Aristophanes, adapted by Rosalind Reynolds and directed by Ashley Albertson.
Performances March 21, 22, 23, 28, 29, and 30, at 7:30pm
iDiOM Theater
1417 Cornwall, Bellingham.
Tickets $15, students $10
TICKETS: https://www.tickettailor.com/events/idiomtheater/1169002
Hailed as the first literary battle of the sexes, this rollicking farce sees the women of Greece losing patience with a seemingly endless war. They hatch a flawless plan: no sex until their husbands agree to a peace deal. But the men aren’t about to take this lying down…or are they? The enduring relevance of Aristophanes’s raunchy comedy attests to the universal human fascination with war, sex, and penis
jokes.
Two-time winner of the Serial Killers tournament of serialized theater, and former playwright-in-residence at the iDiOM Theater, Rosalind Reynolds is the author of many plays, including Godlike, Julian the Humble, and Men of Parts. A founding member of the Unsubdued Theatre Collective, Ashley Albertson has directed many shows for the local stage, including The Odyssey, Eleemosynary, and Branwen Spikes the Drink.
Lysistrata is the third offering from Those Brazen Wenches Theatre Company, which aims to smash the patriarchy in entertaining ways.
Featuring:
Kharma Stambaugh
Dawn Hunter
Selene Nelson
Natalie Fedak
Hannah Cafarella
and Elizabeth Sheinkopf
Those Brazen Wenches Theatre Company presents Lysistrata by Aristophanes, adapted by Rosalind Reynolds and directed by Ashley Albertson.
Performances March 21, 22, 23, 28, 29, and 30, at 7:30pm
iDiOM Theater
1417 Cornwall, Bellingham.
Tickets $15, students $10
TICKETS: https://www.tickettailor.com/events/idiomtheater/1169002
Hailed as the first literary battle of the sexes, this rollicking farce sees the women of Greece losing patience with a seemingly endless war. They hatch a flawless plan: no sex until their husbands agree to a peace deal. But the men aren’t about to take this lying down…or are they? The enduring relevance of Aristophanes’s raunchy comedy attests to the universal human fascination with war, sex, and penis
jokes.
Two-time winner of the Serial Killers tournament of serialized theater, and former playwright-in-residence at the iDiOM Theater, Rosalind Reynolds is the author of many plays, including Godlike, Julian the Humble, and Men of Parts. A founding member of the Unsubdued Theatre Collective, Ashley Albertson has directed many shows for the local stage, including The Odyssey, Eleemosynary, and Branwen Spikes the Drink.
Lysistrata is the third offering from Those Brazen Wenches Theatre Company, which aims to smash the patriarchy in entertaining ways.
Featuring:
Kharma Stambaugh
Dawn Hunter
Selene Nelson
Natalie Fedak
Hannah Cafarella
and Elizabeth Sheinkopf
Those Brazen Wenches Theatre Company presents Lysistrata by Aristophanes, adapted by Rosalind Reynolds and directed by Ashley Albertson.
Performances March 21, 22, 23, 28, 29, and 30, at 7:30pm
iDiOM Theater
1417 Cornwall, Bellingham.
Tickets $15, students $10
TICKETS: https://www.tickettailor.com/events/idiomtheater/1169002
Hailed as the first literary battle of the sexes, this rollicking farce sees the women of Greece losing patience with a seemingly endless war. They hatch a flawless plan: no sex until their husbands agree to a peace deal. But the men aren’t about to take this lying down…or are they? The enduring relevance of Aristophanes’s raunchy comedy attests to the universal human fascination with war, sex, and penis
jokes.
Two-time winner of the Serial Killers tournament of serialized theater, and former playwright-in-residence at the iDiOM Theater, Rosalind Reynolds is the author of many plays, including Godlike, Julian the Humble, and Men of Parts. A founding member of the Unsubdued Theatre Collective, Ashley Albertson has directed many shows for the local stage, including The Odyssey, Eleemosynary, and Branwen Spikes the Drink.
Lysistrata is the third offering from Those Brazen Wenches Theatre Company, which aims to smash the patriarchy in entertaining ways.
Featuring:
Kharma Stambaugh
Dawn Hunter
Selene Nelson
Natalie Fedak
Hannah Cafarella
and Elizabeth Sheinkopf
Those Brazen Wenches Theatre Company presents Lysistrata by Aristophanes, adapted by Rosalind Reynolds and directed by Ashley Albertson.
Performances March 21, 22, 23, 28, 29, and 30, at 7:30pm
iDiOM Theater
1417 Cornwall, Bellingham.
Tickets $15, students $10
TICKETS: https://www.tickettailor.com/events/idiomtheater/1169002
Hailed as the first literary battle of the sexes, this rollicking farce sees the women of Greece losing patience with a seemingly endless war. They hatch a flawless plan: no sex until their husbands agree to a peace deal. But the men aren’t about to take this lying down…or are they? The enduring relevance of Aristophanes’s raunchy comedy attests to the universal human fascination with war, sex, and penis
jokes.
Two-time winner of the Serial Killers tournament of serialized theater, and former playwright-in-residence at the iDiOM Theater, Rosalind Reynolds is the author of many plays, including Godlike, Julian the Humble, and Men of Parts. A founding member of the Unsubdued Theatre Collective, Ashley Albertson has directed many shows for the local stage, including The Odyssey, Eleemosynary, and Branwen Spikes the Drink.
Lysistrata is the third offering from Those Brazen Wenches Theatre Company, which aims to smash the patriarchy in entertaining ways.
Featuring:
Kharma Stambaugh
Dawn Hunter
Selene Nelson
Natalie Fedak
Hannah Cafarella
and Elizabeth Sheinkopf
Those Brazen Wenches Theatre Company presents Lysistrata by Aristophanes, adapted by Rosalind Reynolds and directed by Ashley Albertson.
Performances March 21, 22, 23, 28, 29, and 30, at 7:30pm
iDiOM Theater
1417 Cornwall, Bellingham.
Tickets $15, students $10
TICKETS: https://www.tickettailor.com/events/idiomtheater/1169002
Hailed as the first literary battle of the sexes, this rollicking farce sees the women of Greece losing patience with a seemingly endless war. They hatch a flawless plan: no sex until their husbands agree to a peace deal. But the men aren’t about to take this lying down…or are they? The enduring relevance of Aristophanes’s raunchy comedy attests to the universal human fascination with war, sex, and penis
jokes.
Two-time winner of the Serial Killers tournament of serialized theater, and former playwright-in-residence at the iDiOM Theater, Rosalind Reynolds is the author of many plays, including Godlike, Julian the Humble, and Men of Parts. A founding member of the Unsubdued Theatre Collective, Ashley Albertson has directed many shows for the local stage, including The Odyssey, Eleemosynary, and Branwen Spikes the Drink.
Lysistrata is the third offering from Those Brazen Wenches Theatre Company, which aims to smash the patriarchy in entertaining ways.
Featuring:
Kharma Stambaugh
Dawn Hunter
Selene Nelson
Natalie Fedak
Hannah Cafarella
and Elizabeth Sheinkopf
